Aufgang

 L.I.E.N.S.

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Aufgang

The epic tale of Aufgang starts with the new century in the star city of the New World. Rami Khalifé and Francesco Tristano met in the year 2000 in New York where they were both studying the piano at the very prestigious Juilliard School. Being almost as assiduous in their clubbing than in their studies, the two began a passionate affair with electronic music on the side of their classical training, focussing on House Music, New York being one of its hotspot. They soon began playing together, creating from the start an explosive mix of genres transcending any possible musical bigotry.

Things started shaping-up in 2001 when Aymeric Westrich, a musician (former drummer) from the same school as Rami, went to New York and, guided by his two friends, immersed himself in electronic music. Thus the three boys sealed their union under the auspices of a common attraction for limitless experimentation.

The band was put on the back burner for a time while they each pursued their individual projects. The son of a famous Lebanese composer, Rami played numerous concerts across the world, alongside his father and with other bands, published two classical albums and worked for films and dance. Aymeric, operating on the Hip Hop scene as a producer and a composer, also expressed his talent as a drummer with Cassius in the full swing of the French Touch euphoria.

Considered one of the most talented pianists of his generation, Francesco published several well-noticed recordings (including Bach’s Goldberg Variations in 2001) and was rewarded with a multitude of prizes. His career took a new turn in 2007 with the release of Not For Piano: post-produced by Fernando Corona (aka Murcof), this record transcended the musical genres and contained three striking covers of electronic music classic tracks (including The Bells by Jeff Mills). Pursuing his investigations, Francesco teamed-up with Moritz von Oswald – the legendary Berlin sound sorcerer – to create Auricle Bio/On, a captivating singular album, released by InFiné in November 2008, consisting of two 20 minute tracks.

Aufgang’s official date of birth is June 2005 when they played at Barcelona’s famous Sonar Festival. The circumstances leading to their playing this concert are worth mentioning: Francesco was playing a recital at an event in an art gallery in Barcelona when Jeff Mills turned-up with the booker for the Sonar Festival. At the end of the show, Rami joined Francesco for an unbridled interpretation of The Bells. Jeff Mills loved it and the Sonar Festival booker got to work… On the day of the show and after rehearsing non-stop for five nights the trio delivered an explosive performance and won over the crowd of connoisseurs. The adventure continued from then on.


Fired-up by this initial show, Francesco, Rami and Aymeric concentrated on structuring their songs and forging an original language, at the crossroads of acoustic and electronic. Their music is fuelled by different influences and nourished by an impetuous flow of improvisation. It absolutely refuses to be labelled: it wants above all to vibrate and move people.

“It is neither acoustic techno nor electronically seasoned classical music, like Wendy Carlos”, stipulates Francesco who, keeping Fluxus in mind, reminds us that “the piano is also a machine: it’s a big box with a mechanism inside”. By using his pianos like machines and confronting them to other machines, starting with drums, Aufgang manages to generate a music that is as surprising as it is powerful.

This music is deeply organic and reveals itself fully on stage where it can create chaos, as in the  Transmusicales Festival of 2007  and the Venio Festival (Holland) in 2008, where the crowd of thousands responded immediately.

Listening to Aufgang collectively or individually, on a dancefloor or in a living-room is an ever evolving experience: a track can go through many different stages, having many different layers. Once it has been recorded and pressed it continues to live and breathe.  This talent for improvisation and reinvention clearly transpires on Aufgang’s debut album coming out in early June on InFiné/Discograph. This record, mixed by François Baurin (really the fourth member of the band), follows their impressive EP Sonar, released earlier this year, that includes two lethal remixes by Spitzer et Krazy Baldhead. This album is the product of a long maturation process – almost four years – and reflects perfectly this trio’s creativity and complete osmosis.

Filled with multiple nuances – from contemporary music to electro and post-rock – this album reflects exalting audacity and playful freedom, and can be compared to The Battles, another kamikaze band that emerged in the last few years. Where will these youngsters stop? One thing is for sure: as soon as you hear Channel 7, first track and manic reminder of the classic Jaguar by Rolando, you just know that this stairway (Aufgang in German) will take you high up…

 

NEWS


AUFGANG_PORTRAIT

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the beat machine<

the beat machine

Posted 12 Oct 09

Aymeric Westrich was barely 14 years, when he met Rami and his brother, Bachar Khalifé, at the conservatoire of Boulogne in France, where he studied Classical Percussions. Together with the two brothers, he went on tour around the globe with their father, Marcel Khalifé, the most respected Lebanese oud player.

Visiting Rami in NYC late 2000, he was introduced for the first time to Francesco Tristano, with whom Rami was already playing. The three boys started hanging around in the famous Downtown Manhattan Club “vinyl”, permeated with growing techno and house scene of the town. When Aymeric eventually left Paris to study at the Collective school of NYC, Rami and Francesco had already graduated at the Juilliard School. Whereas Rami and Francesco were fond of Minimal Techno and Contemporary Classic, Aymeric was mostly into East Coast Hip-Hop and French-style electro flavours.

Thus, back in Paris, not so surprisingly, Aymeric, starts collaborating with the rapper, Kery James, leading figure of the emerging conscious hip-hop scene in France. With strict guidelines, mostly based on live instrumentation and keyboard arrangements, he signed the productions of Kery’s album “Ma Vérité”.

Introduced by a common friend to Philippe Zdar, Aymeric joined Cassius as studio and live drummer. After a one-year tour with the band, he is still participating in the recent outtakes of the band and recently joined Phoenix for their French tour.

It´s not before 2005, under the request of the Sonar Festival programmers that Francesco put together officially for the first time the Aufgang project. Aymeric is the beat machine behind the two Grand Pianos, the plug infuriating the ivory twinkling melodies fuelling their first album and live performances with this distinctive and singular groove.   

Lately, Aymeric has also co-produced with his cousin (member of the funk-electro combo from Nantes, Smooth) a soundtrack for a short film and has finished an album with Bachar Khalifé to be released soon.

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RAMI KHALIFÉ

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one man orchestra<

one man orchestra

Posted 22 Sep 09

Born in Beirut, Lebanon on September 25, 1981, Rami Khalifé exhibited a passion for music very early on. After a short initiation on the piano, seven-years-old Rami left Lebanon for France and the conservatory of Boulogne-Billancourt and later the prestigious Juilliard School of Music of NYC. Studying piano under Bela Bartok's last student and professors of the likes of Bruce Brubaker or Joel Sachs. Rami as quoted by The Detroit News is “An intellectual, free-wheeling musician of our time who is at home throughout the world.”

Leaving classical etiquette in the wings Khalife plays like no other, moving with his entire body, he stands, crouches and bends into the piano with powerfully harmonious, yet curiously jarring synchronicity. Khalife wrings music from every surface area; the innards plucked and tweaked like the strings of a lute, the frame transformed into a percussive sound board, the Piano rendered a one-man orchestra. His performance-art is unrestrained theatricality born from the depths of unbridled conviction.

Both his intense ability and artistry have enabled Rami Khalifé to create compositions and improvisations in a variety of styles and genres ranging from classical to contemporary, jazz and world music, continuously expanding his musical repertoire and accomplishments, while venturing into new territory.

Together with Francesco Tristano and Aymeric Westrich, Rami started to organize parties in NYC. Touring the world solo or with his father after graduating, Rami recorded a fistful of critically acclaimed records (Live in Beirut, Scene from Hellek Concertos). The story Aufgang started at the Sonar festival in june 2005 and will give birth to “1”, the first album of the band released in October in France.

Rami has recorded “Pop up” last year with Francesco and released this year his last album “Chaos”. In  ‘Chaos’ the sounds of Lebanon under siege roar to life through the majesty of a grand piano. The wail of sirens, the detonation of shells, the whirr of tanks and war-crafts, the full-scale destruction are undercut with the quiet, resilient hope for peace …his latest masterpiece is an explosive amalgam, representing the dynamism of war and its after effects, woven together with finely nuanced pathos, creating the hauntingly monochromatic tapestry that is CHOAS.

Rami Khalife will be performing cinemix (Live soundtrack) for Murnau's cinematic classic 'Faust' with his brother Bachar Khalife 23/11/2009 @ Cinema Balzac, Paris France. 'Faust' will be also performed on the 23/1/2010 @ Ankara, Turkey.

 

Official website here

 

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FRANCESCO TRISTANO // NEW LIVE DATES ADDED

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diversity is his trademark<

diversity is his trademark

Posted 28 Aug 09

Diversity is his own trademark. Already an established artist in the Classic music networks, one-to-watch in the electronic circles, Francesco Tristano is one the most surprising and rarest profile of this decade. Live collaborator and studio partner of Carl Craig, Murcof, Agoria, Moritz von Oswald or les Siecles Orchestra and multi-tasking Grand Piano of Aufgang, he is one of the key-player of the recent intrusion of “Modern Classic” into electronic music.

No later than 30th August, Francesco will head to London´“Get Loaded in the Park” festival with Carl Craig`s Innerzone Orchestra and a full section of cellos. September 5th, following the first exercise of last year in Paris, the “Versus” project bringing together Moritz von Oswald, Carl Craig, les Siecles and Francesco will showcase its third appearance in Milan Alcatraz. September 16th in Bologna, still with Carl Craig and Moritz von Oswald, Francesco will run a live of his own project “Shape” associated with Bachar Khalifé, Justin Messina and David Bruti. After a couple of dates in Luxembourg and in Roma, he will share the stage of Murcof at the mythic Avant-Garde club of New York “Poisson Rouge” before heading back to Europe for a live with Jordi Carnel in BCN and eventually a Club date in Torino with Carl Craig and Moritz, November 5th.

Aufgang, teaming up Francesco Tristano, Rami Khalifé and Aymerick Westrich (drummer of Cassius) will release on InFiné / Discograph its first album in October in France, later during winter 2009-2010 in the rest of world. Hard to classify the band composed of two Grand Pianos and a drum-set rapidly gained attention from Jeff Mills after a first appearance at Sonar festival in 2005. Next to "Sonar" released in May, Sutek, Cubenx, John Talabot and Robert Hood are currently working on some remixes for the coming EPS of the band.    

*30/08/2009 – Live with Innerzone Orchestra – Festival Get loaded in the Park - London
*05/09/2009 – Live with “Versus” - Les Siecles Orchestra feat. Carl Craig, Moritz – Alcatraz – Milan
*16/09/2009 – Live with “Shape” – Carl Craig, Moritz, B. Khalifé, D. Bruti, Justin Messina - Bologna
*01/10/2009 – Duet with Pascal Schumacher – Luxemburg
*02/10/2009 – Live with Aufgang – Lyon
*03/10/2009 – Live pianolaptop – Rome Europa Festival – Roma
*14/10/2009 – Live with Murcof – Poisson Rouge – New York
*24/10/2009 – Live with Gemeaux Strings – Zug
*29/10/2009 – Live with Jordi Carnell – Barcelona
*05/11/2009 – Live with Carl Craig, Moritz von Oswald – Club Torino, Torino
*12/11/2009 – recital – Liege
*14/11/2009 – Live – Andora
*15/11/2009 – recital – Dudelange – Lux
*19/11/2009 – Live with Aufgang – Café de la Dance – Paris

Versus Live on Grandcrew
Video, sound and infos on AUFGANG
Francesco Tristano – EPK

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12'

IF2022 // BAROCK REMIXES


01 - Barock (Robert Hood Remix)
02 - Barock (Mondkopf Remix)
03 - Barock (Wareika Remix)


CD

IF1006 // AUFGANG


1 - CHANNEL 7
2 - CHANNEL 8
3 - BAROCK
4 - SONAR
5 - PRELUDE DU PASSE
6 - GOOD GENERATION
7 - 3 VITESSES
8 - AUFGANG
9 - SOUMISSION


Concerts
18 Mar 10 Rennes @ L'antipode
19 Mar 10 Vendôme, France @ Chapelle St Jacques
20 Mar 10 Vaulx-En-Velin @ A Vaulx Jazz @ Centre Charlie Chaplin
24 Mar 10 Berlin @ Berghain
25 Mar 10 Paris @ La Machine

Moments of Love

Art of Noise

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Sonar (Spitzer remix)

Aufgang

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Orange Mistake

Luciano

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Your Love

Frankie Knuckle

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The Scenario

A Tribe Called Quest

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Alright

Savvas Ysatis

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Smell like teen spirits

Nirvana

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Neurotic Behavior

Carl Craig

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I Wish

Steve Wonder

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Oort

Murcof

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Sunday Monday

The Velvet Underground

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